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- A quick Historical perspective on mastering...
- In the beginning Man said "Let there be recording" and he created mic pre-amps (part 1 and part 2) and they were good...
- Paul wrote: "Although I spend most of my days in the mastering lab working on recordings from a very wide range of musical styles, I also do a lot of location recording of acoustic music, from classical to bluegrass and beyond. In this article I am going to go through the steps I followed in selecting a microphone technique for a recent recording. One thing I like about location recording is that each job is a whole new set of challenges. Follow along as I try to guide you through the choices I made and why...
- Every once in a while Mix Magazine is kind enough to publish one of my opinion rants. Here's another one.
- Bob Hodas and I did three articles comparing A to D converters. The first was published in Recording Engineer/Producer magazine. By the time we were ready with the second round that magazine had folded, so the next two (second and third) installments appeared in Mix magazine. We actually did five rounds of listening, but we didn't publish the third because the results didn't really have any interesting developments, and we didn't publish round five because we were so sick of converters by that point we assumed the readers were too. Part three of the article actually represents round four of the listenings. None of this is particularly current...the third article appeared in 1994 or so.. But as I reread them at least I got a chuckle out of seeing how our test methods evolved over time. Anyway, for what they're worth, we present them here.
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